Engraving is a magical art technique that can engrave the atmosphere and engrave tiny things. Wood carving and olive carving are two extreme contrasts in the art of carving. Wood carvings generally engrave the atmospheric things of tables and chairs, while olive carvings are subtle and fine. The raw material for wood carving is wood, and the raw material for olive carving is the core of black olive. Let's take a look at the materials and carving techniques of woodcarving.
(1) Characteristics and selection of wood
Some of the wood is soft and some are rough and hard. Generally, the wood is soft and easy to sculpt, and it is hard and heavy. The wood is tough, finely textured, and brightly colored. It is called hardwood, such as mahogany, boxwood, rosewood, almond, elm, etc. It has all the advantages of engraving, and is the finest material for engraving. Fine works, and not easy to break and damage during the production process and storage, have a high collection value, but it takes a lot of time to sculpt and easily damage the tool.
The loose wood is suitable for beginners, such as eucalyptus, ginkgo, eucalyptus, pine, etc. This kind of wood is suitable for carving works with simple structure and relatively general image. It is easy to sculpt, but because of its soft wood and weak color, some woods need to be colored to enhance the sense of volume. Some wood grain is more obvious and varied, such as: ash, pine, fir trees, etc., you can use the smooth, wood grain texture of wood grain, to make some more lyrical works. Generally speaking, the bigger the shape is, the more varied the wood grain is, the more odorous it is; the shape of the shape is more dynamic and smooth, the effect of the wood grain trend is more ideal, and even unexpectedly good, very Richly decorative. Of course, the design of this kind of wood should be based on a high degree of generalization, too complicated and too small volume, not only will destroy the wood grain, but also cause a visual contrast. Therefore, before creating a work, it is important to first understand the wood and choose the material that is suitable for the performance.
(2) Drying of wood
1. Artificial drying: The wood is sealed in a steam drying chamber, and steam is used to promote evaporation of water to make the wood dry. (According to the size and thickness of the wood, such as 4cm plate drying time usually takes one week), the maximum degree of drying can make the wood moisture content only 3%. However, after the high temperature evaporation, the wood becomes brittle and loses toughness and is easily damaged, which is not conducive to engraving. Generally speaking, the degree of drying of logs should be kept at about 30% of water content.
2, natural drying: the wood is placed in a ventilated place (plate, square or log), placed in a raft, the bottom of the raft is about 60cm from the ground, leaving a gap in the middle, so that the air circulates, take away the moisture, and the wood gradually dry. Natural drying usually takes several years or months to achieve certain drying requirements.
3, simple artificial drying: First, use the fire to dry the internal moisture of the wood. The second is to boil the resin component of the wood, and then dry or dry in the air. The drying time of these two methods may be shortened, but the wood after infiltration is prone to discoloration and damages wood.
(3) Engraving techniques
The so-called technique is the author's approach to image and space in woodcarving creation. This kind of technique is mainly embodied in the reduction of the carving and engraving in the sense. To be more precise, it is from the outside to the inside, step by step through the subtraction of waste, and gradually reveal the body excavation. In the repeated subtraction modeling, we not only realized the pleasure of the work in the “shelling outâ€. Even if the characteristics of the wood or the force is too strong, the place that should not be reduced will be scared, but if handled properly, it may be joyful because of danger. At the same time, you can also feel the special charm generated by the various knife methods, and some accidental effects can make the works produce new meanings. Therefore, in the creation of woodcarving art, it is a process of psychological change, complex and meaningful. The formation of a beautiful knife is a skillful achievement of technology. It is often the case that when you copy a good painting, you feel the hardest thing and the brushstroke. Because the brushstroke is the product of the author's mind and skill, the knife is also the same. It is something that is difficult to embody in any imitation. Therefore, only by mastering the skills and accumulating experience, can we achieve the ideal knife that is truly our own. The kind of wood grain and carving marks, smooth and rough, concave and convex, round knife arrangement, flat knife cutting, the artistic language they express, its charm can not be achieved by sculptures of other materials.
Yongqing County Beguzhuang Yuxing Carving Workshop: http://
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